Creating characters with a distinctive
voice is a challenge for a writer. In order for a character to feel
true, the experiences and reactions must have verisimilitude. Every
character I have created is based on my experiences; yet, they all
come to life and have opinions, feelings and emotions that surprise
me. I “hear” their voices all the time, telling me about their
wishes, characteristics, likes and dislikes.
One instance is when Dean, the
boyfriend of Fran in YNK (You Never Know), let me know in
adamant terms that he would never wear a Polo shirt--he was a plaid
flannel sort of guy. Fran reminded me that she rolls her eyes a lot
instead of commenting out loud, which drives her mother crazy. Annie,
another friend of Fran’s from YNK, is afraid of going to
sleep in the dark. In fact, Annie is afraid of the daytime, too.
While I don’t consider myself brave, I have never thought about
being afraid of waking up like Annie does.
I have stood up for what is right, like
Dusty defending Yugo in A Penny in Time. And like Dusty, I
have lived through divorcing parents--but not exactly the same
situation as she. I’ve been bullied, but Fran’s situation was
what my daughter went through in elementary school. I have been
chased by a dog that I later became friendly with, but never had a
job walking him. I lived next to a crotchety old man whom I never
liked, but my brother and he became friends. I did not have a
boyfriend in junior high, but did have boys as friends.
The most intense experience I had with
characters “speaking to me” was with a girl named Della. One of
my unrealized wishes was to write a perfect short story. One day this
little girl, “Della, if you please,” started reciting her story.
“No!” I said to her, “your story has been done by much better
writers. Southern writers that grasp culture and slavery. Not my
thing. Go away.” She pestered me every day, conjuring scenes and
dialogue. Finally, in exasperation, I wrote the story. It is perfect
in all the technical aspects that make a good short story. But it is
trite and says nothing new. Several years later, however, I
recognized that this entire story will fit beautifully in an adult
fantasy novel I am working on, Eye of the Moon, that takes
place in the future on another planet.
One of the most compelling things I
have learned from my characters is how to listen with intent. You may
think I am merely daydreaming, with my unfocused eyes and lack of
attention, but it is more likely I am having a fascinating
conversation with characters who need to be heard. And that
translates as well to the real “characters” in my life. Although,
to tell the truth, sometimes I prefer to listen to the voices of the
“others”.
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